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托福阅读背景材料之文艺复兴

2015-01-14 17:10:06来源：网络

　　2015年托福考试已经来临，对于每一位参加托福考试的同学来说都是新的开始，那么我们对于托福听说读写都需要采取怎样的复习方法?这四项又需要注意些什么呢?我们分别谈一下。下面是新东方在线托福小编整理的托福阅读背景材料之文艺复兴，供同学们参考!

　　The medieval artists didn’t know about perspective; they didn’t want to make their people look like real, individual people in a real, individual scene. They wanted to show the truth, the eternal quality of their religious stories. So these artists didn’t need to know about perspective.

　　In the European Renaissance period, artists wanted to show the importance of the individual person and his or her possessions and surroundings. A flat medieval style couldn’t show this level of reality and the artists needed a new technique. It was the Italian artist Brunelleschi who discovered the technique of perspective drawing. At first the artists of the Renaissance only had single-point perspective. Later they realized that they could have two-pointed perspective and still later multi-point perspective.

　　With two-point perspective they could turn an object (like a building) at an angle to the picture and draw two sides of it. The technique of perspective which seems so natural to us now is an invented technique, a part of the “grammar of painting”. Like all bits of grammar there are exceptions about perspective. For example, only vertical and horizontal surfaces seem to meet on eye level. Sloping roof tops don’t meet on eye level.

　　For 500 years, artists in Europe made use of perspective drawing in their pictures. Nevertheless, there are a range of priorities that artists in displaying individual styles. Crivelli wanted to show depth in his picture and he used a simple single-point perspective. Cezanne always talked about space and volume. Van Gogh, like some of the other painters of the Impressionist period, was interested in Japanese prints. And Japanese artists until this century were always very strong designers of “flat” pictures. Picasso certainly made pictures which have volume and depth. However, he wanted to keep our eyes on the surface and to remind us that his paintings are paintings and not illusions.

　　It is technically easy to give an illusion of depth. However, a strong two dimensional design is just as important as a feeling of depth, and perhaps more important.

　　1 The passage mainly discusses

　　(a) the difference between medieval and Renaissance art

　　(b) how the technique of perspective influenced the modern art

　　(c) the discovery of the technique of perspective

　　(d) the contribution of Renaissance artists


本文关键字: 托福阅读背景材料之文艺复兴

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