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托福阅读修辞目的题：Japanese benshi

2015-08-12 16:53:53来源：网络

　　【托福阅读题型：Japanese benshi修辞目的题】托福阅读中句子插入题是重要题型之一。根据托福阅读题型不同来进行专项练习，是短期提高托福阅读能力的有效方法。同学们需要多加练习哦!

　　查看全部：托福阅读题型分类练习之修辞目的题

　　托福阅读修辞目的题：Japanese benshi

　　【Paragraph 2】Yet this most fundamental standard of historical periodization conceals a host of paradoxes. Nearly　　every movie theater, however modest, had a piano or organ to provide musical accompaniment to silent pictures. In many　instances, spectators in the era before recorded sound experienced elaborate aural presentations alongside movies'　visual images, from the Japanese benshi (narrators) crafting multivoiced dialogue narratives to original musical　compositions performed by symphony-size orchestras in Europe and the United States. In Berlin, for the premiere　performance outside the Soviet Union of The Battleship Potemkin, film director Sergei Eisenstein worked with Austriancomposer Edmund Meisel (1874-1930) on a musical score matching sound to image; the Berlin screenings with live　music helped to bring the film its wide international fame.(Transition to Sound in Film)

　　Why does the author mention “Japanese benshi” and “original musical compositions”?

　　○To suggest that audiences preferred other forms of entertainment to film before the transition to sound inthe1920's

　　○To provide examples of some of the first sounds that were recorded for film

　　○To indicate some ways in which sound accompanied film before the innovation of sound films in the late 1920s

　　○To show how the use of sound in films changed during different historical periods

　　答案见下一页：

本文关键字: 托福阅读题型 托福阅读训练 修辞目的题

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