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托福阅读材料推荐:艺术类话题Painting

2016-07-18 15:34:43来源:网络

  18th-Century Painting

  In the 18th century, Venice produced several fine painters. The most famous was Giovanni Battista Tiepolo (1696-1770). He decorated the interiors of palaces and other buildings with tremendous, colorful frescoes representing scenes of wealth and pageantry Francesco Guardi (1712-93) and Antonio Canaletto (1697-1768) painted scenic views, many of them recalling the past glories of Venice. Guardi was very skillful with a brush. With a few patches of color he could conjure up the idea of a tiny figure in a boat.

  France: The Rococo Style

  In France a taste for pastel colors and intricate decoration brought about the development of the rococo style in the early 18th century. Jean Antoine Watteau (1684-1721), a court painter to King Louis XV, and, later, François Boucher (1703-70) and Jean Honoré Fragonard (1732-1806), were associated with the rococo trend. Watteau painted visions of a dream life in which all is gaiety. There are picnics in the park or woodland parties where gallant gentlemen and elegant ladies amuse themselves.

  Other 18th-century painters portrayed scenes of ordinary, middle-class life. Like the Dutch Vermeer, Jean Baptiste Simeon Chardin (1699-1779) valued simple domestic scenes and still-life arrangements. His colors are sober and calm compared to Watteau's.

  England

  In the 18th century the English, for the first time, developed a distinct school of painting. It consisted mainly of portrait painters who were influenced by Venetian Renaissance artists. Sir Joshua Reynolds (1723-92) and Thomas Gainsborough (1727-88) are the best-known. Reynolds, who had traveled in Italy, was devoted to reviving the Renaissance ideals of painting. His portraits, although charming and touching, are not particularly interesting in color or texture. Gainsborough, on the other hand, had a talent for brilliant brushwork. The surfaces of his paintings glow with shining color.

  19th-Century Painting

  The 19th century is sometimes regarded as the period during which modern art began to take shape. One important reason for the so-called revolution in the arts at this time was the invention of the camera, which forced artists to re-examine the purpose of painting.

  A more important development resulted partly from the widespread use of manufactured paints. Before the 19th century, most artists or their assistants made their own paints by grinding pigment. Early commercial paints were inferior to handmade paints. Artists late in the 19th century found that the dark blues and browns of earlier paintings were turning black or gray within a few years. They began to use pure colors again. These artists used pure colors in order to preserve their work and sometimes because they were trying to capture the effects of sunlight in outdoor scenes more accurately.

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