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Venice
Venice was the chief northern Italian city of the Renaissance. It was visited by artists from Flanders and other regions who knew of Flemish experiments with oil paint. This stimulated an early use of the oil technique in the Italian city. The Venetians also painted on tightly stretched canvas, rather than on the wooden panels commonly used in Florence.
Giovanni Bellini (1430?-1516) was the greatest Venetian painter of the 15th century. He was also one of the first Italian painters to use oil on canvas. Giorgione (1478?-1511) and Titian (1488?-1576), who is the most famous of all Venetian painters, were students in Bellini's workshop.
A master of the oil technique, Titian painted huge canvases in warm, rich colors. In his mature paintings he sacrificed details to the sweeping effect of the whole painting, as in thePesaro Madonna. He used large brushes to make broad strokes. His colors are especially rich because he patiently built up glazes of contrasting colors. Usually the glazes were put on over a brown tempera ground, which gave the painting a unified tone.
Another great 16th-century Venetian painter was Tintoretto (1518-94). Unlike Titian, he usually worked directly on the canvas without making preliminary sketches or underpaintings. He often distorted his forms (twisted them out of shape) for the sake of the composition and drama of the scene. His technique, which includes broad brushstrokes and dramatic contrasts of light and dark, seems very modern.
The painter Kyriakos Theotokopoulos (1541-1614) was known as El Greco ("the Greek"). Born on the island of Crete, which was occupied by the Venetian army, El Greco was trained by Italian artists. As a young adult he went to Venice to study. The combined influence of Byzantine art--which he saw all around him in Crete--and of Italian Renaissance art made El Greco's work outstanding.
In his paintings he distorted natural forms and used even stranger, more unearthly colors than Tintoretto, whom he admired. Later El Greco moved to Spain, where the grimness of Spanish art influenced his work. In his dramatic View of Toledo a storm rages above the deathlike stillness of the city. Cold blues, greens, and blue-whites cast a chill over the landscape.
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