课程咨询

托福考试网 托福资料下载 托福资讯 0元讲座 水平测试

托福考试练习
新东方在线 > TOEFL > 托福阅读 > 正文
托福培训

扫码免费领资料

内含托福全科备考资料

更有免费水平测试及备考规划

托福培训

扫码关注掌握一手留学资讯

回复XDF免费水平测试

录播精讲 直播课HOT

托福阅读材料推荐:艺术类话题Painting

2016-07-18 15:34:43来源：网络

　　The Renaissance in Flanders and Germany

　　The golden age of painting in Flanders (now part of Belgium and northern France) was the 15th century, the time of van Eyck. In the 16th century many Flemish artists had taken up the discoveries of Italian Renaissance painters. Some Flemings, however, continued the Flemish tradition of realism. They painted genre--scenes from everyday life, which were often charming and sometimes fantastic. Hieronymus Bosch (1450?-1516), who preceded the genre painters, had an unusually vivid imagination. He invented all sorts of weird, grotesque creatures for The Temptation of St. Anthony. Pieter Bruegel the Elder (1525?-69) also worked in the Flemish tradition but added perspective and other Renaissance characteristics to his genre scenes.

　　Albrecht Dürer (1471-1528), Hans Holbein the Younger (1497?-1543), and Lucas Cranach the Elder (1472-1553) were the three most important German painters of the 16th century. They did much to soften the grim realism of earlier German painting. Dürer made at least one visit to Italy, where he was impressed with the paintings of Giovanni Bellini and other northern Italians. From this experience he brought to German painting a knowledge of perspective, a feeling for color and light, and a new understanding of composition. Holbein absorbed even more of the Italian achievements. His sensitive drawing and ability to select only the most important details made him a master portrait painter.

　　Baroque Painting

　　The 17th century is generally known as the baroque period in art. In Italy the painters Caravaggio (1571-1610) and Annibale Carracci (1560-1609) represented two contrasting viewpoints. Caravaggio (whose real name was Michelangelo Merisi) always painted directly from life. One of his main concerns was to copy nature as faithfully as possible without glorifying it in any way. Carracci, on the other hand, followed the Renaissance ideal of beauty. He studied ancient sculpture and the works of Michelangelo, Raphael, and Titian. Caravaggio's style was admired by many painters, especially by the Spaniards Ribera and the young Velázquez. Carracci's painting inspired Nicolas Poussin (1594-1665), a major French painter of the 17th century.

本文关键字: 托福阅读 托福阅读材料推荐 艺术话题

上一页 1.. 5 6 7 8 9 10 11 12 13 14 下一页

托福辅导

关注新东方在线托福

托福机经·Official题目练习

考前重点突破·听说读写海量资料

更多资料

关注新东方在线托福，
回复【XDF】获取大礼包

托福辅导
  • 1.打开手机微信【扫一扫】，识别上方二维码；
  • 2.点击【添加】，回复对应关键字领取学习资料。
更多>>
更多内容

免费获取托福备考大礼包

微信扫描下方二维码 立即领取

托福辅导
更多>>
更多公益讲座>>
更多>>
更多资料
托福TPO 托福听力练习 托福口语练习 托福阅读练习 托福写作练习
我要
反馈 返回
首页
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • 10