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Rome
The climax of Renaissance painting came in the 16th century. At the same time, the center of art and culture shifted from Florence to Rome. Under Pope Sixtus IV and his successor, Julius II, the city of Rome was gloriously decorated by Renaissance artists. Some of the most ambitious projects of the period were begun during the papacy of Julius II. Julius commissioned the great sculptor and painter Michelangelo (1475-1564) to paint the ceiling of the Sistine Chapel and to carve sculpture for the Pope's tomb. Julius also invited the painter Raphael (1483-1520) to help with the decoration of the Vatican. With assistants, Raphael frescoed four rooms of the Pope's apartments in the Vatican Palace.
Michelangelo, a Florentine by birth, developed a monumental style of painting. The figures in his painting are so solid and three-dimensional that they look like sculpture. The Sistine ceiling, which took Michelangelo 4 years to complete, is composed of hundreds of human figures from the Old Testament. To paint this tremendous fresco Michelangelo had to lie on his back on scaffolding. The brooding face of Jeremiah among the prophets that surround the ceiling is thought by some people to be his self-portrait.
Raphael came to Florence from Urbino as a very young man. In Florence he absorbed the ideas of Leonardo and Michelangelo. By the time Raphael went to Rome to work in the Vatican, his style had become one of great beauty. He is especially beloved for his beautiful paintings of the Madonna and Child. These have been reproduced by the thousands and can be seen everywhere. His Madonna del Granduca is successful because of its complete simplicity. Timeless in its peacefulness and purity, it is just as appealing to us as it was to the Italians of Raphael's time.
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