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托福阅读材料推荐:艺术类话题Painting

2016-07-18 15:34:43来源:网络

  Early Christian and Byzantine Painting (A.D. 300-1300)

  The Roman Empire began to decline in the 4th century A.D. At the same time Christianity gained strength. In A.D. 313 the Roman Emperor Constantine gave the religion official recognition and became a Christian himself.

  The rise of Christianity greatly affected the arts. Artists were commissioned to decorate the walls of churches with frescoes and mosaics. They made panel paintings in the church chapel and illustrated and decorated the books of the Church. Under the authority of the Church, artists had to communicate the teachings of Christianity as clearly as possible.

  Early Christians and Byzantine artists continued the technique of mosaic that they had learned from the Greeks. Small, flat pieces of colored glass or stone were set into wet cement or plaster. Sometimes other hard materials, such as bits of baked clay or shells, were used. In Italian mosaics the colors are especially deep and full. The Italian artists made the background with pieces of gilded glass. They set the human figures in rich colors against the glittering gold. The general effect is flat and decorative, not realistic.

  The mosaics of Byzantine artists often were less realistic and more decorative than those of the early Christians. "Byzantine" is the name given to a style of art that developed around the ancient city of Byzantium (now Istanbul, Turkey). The mosaic technique perfectly suited the Byzantine taste for splendidly decorated churches. The famous mosaics of Theodora and Justinian, made about A.D. 547, show the taste for rich display. The jewelry on the figures glitters, and the brilliantly colored court dresses are set against a shining gold background. Byzantine artists also used gold liberally in fresco and panel paintings. Gold and other precious materials were used throughout the Middle Ages to set spiritual subjects apart from the everyday world.

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